Grant Decision Making. How do you choose which grants to chase?

Guest post by: Jeff Bauknecht | Grants Manager | The Museum of Flight

Who decides which grants to pursue or to let pass by? Who determines which projects will receive grant-funded support? As grant writers, we’re sometimes in a position of responding to requests from leadership to “look at this grant opportunity”, or from well-meaning program staff asking “can you help us find funding for this project?” while having little input on IF those requests are the right ones in the first place.

 

I have worked in the nonprofit world for 26 years now. For the last 14 years, I have held the role of grant writer/manager/follower-upper and sometimes magician. During this time, I have participated in numerous grant conferences and workshops and discovered that many of us became grant professionals not by choice, but by chance or necessity.

 

Truth be told, I got into the nonprofit world completely by accident 26 years ago, 1997. Unemployed with a graduate degree in sports biomechanics (next time we meet, ask me anything about running or running shoes), I answered a tiny little ad in the newspaper that said “Fundraiser Wanted – Fax Resume (715)867-5309.” That was the entire ad. No company name or what they meant by fundraising. Please understand this was pre-internet… no Indeed, no ZipRecruiter, and no LinkedIn to help me find my next dream job. I figured I had done years of raising sponsorship dollars for cycling and running events, how much different could this be?

 

I spent the next seven years raising funds for a national healthcare nonprofit known for its awesome Labor Day telethon, and enjoyed every day of it. Full-speed, nonstop, 30+ fundraising events a year. Yes, I am an adrenaline junkie;)

 

Fast forward a few years. In 2008, I accepted a position as a Major Gifts Officer at one of the oldest and largest nonprofit air and space museums in the world. Remember 2008, a little thing called the Great Recession…? Our organization went through a couple of staff reductions, but fortunately, I got to stick around and was “asked” to take over the responsibilities of the “Grant Writer.” Although I had several years of writing for running magazines under my belt, I had never written a single grant application, never mind the additional work of tracking program/project progress and doing the majority of the follow-up and reporting work once the funding had come in.

 

One of my first tasks as the new “Grant Writer” had nothing to do with writing an application. A fellow staff member presented me with a Federal grant proposal she had been working on for a couple of months. She informed me it had gone through multiple reviews with her supervisor, and it was my turn to do a final review before we submitted it.

 

As I looked through a very well-written application, I came to the budget page which committed our organization to several hundred thousand dollars of cost share. I asked her if this had been approved by her supervisor and our CFO. She said something like “I’m not sure, nobody has raised any questions about it.” I stepped into the CFO’s office and asked if this was in the budget for the next couple of years. The look on the CFO’s face told me all I needed to know. I handed the application back and gave her the bad news that we could not submit the application.

 

So, how does a mature organization get to a point where a simple but deal-stopping step in the grant application process gets overlooked? Very simply, there was no defined process. For years, smart people in well-run departments had been given the autonomy to look for, write, and, in some cases, submit grant proposals and reports without the information flowing through a common and, more importantly, agreed-upon process. While this had been reasonably successful over the years, it had also created some problems. For example, I inherited the reporting phase for a project in which we had committed to improving a visitor metric that we had never actually measured! We’ll leave that one for another installment.

 

Back to our original question. Who decides which grants to pursue or which projects will receive grant funding support? If you have a simple straight-forward mission, this may not be a challenge. Most, if not all, of your proposals will share a fairly common case for support or narrative. However, if your organization has multiple departments, each with very different needs, you may find yourself in spirited discussions with department staff who each believe their project is Priority #1 and the best fit for a specific funding opportunity.

 

So, what do you do? You step up and tell them WHAT’S WHAT and who’s going to get the funding… right? Yeah, probably not. Most of us in the grant writing position don’t land that high on the org chart. But hopefully, if you’ve been in your position for a while, your colleagues value your input. If you’re new, just keep working. The more funds you bring in, the more value and trust you earn with your program staff.

 

So, I’ll ask again… Who decides?

 

First, work with your leadership to create a process for approving which projects and grants will move forward. It doesn’t have to be complicated. In fact, the simpler the process the more effective you’ll be at getting cooperation from the program staff you’re trying to raise funds for. Once it’s supported by your leadership and understood by all staff that this is THE PROCESS, you’re 80% there.

 

Next, consider creating a one-page document that helps your program staff help you > help them. The attached document is one such model. Yeah, I know it’s SO colorful! Ah, but that’s part of the genius in the design. Keep it simple and visually appealing, and staff can’t help but look at it. Trust me, you’ll maximize cooperation with a visually engaging format. Make it boring, spreadsheet, org-chart looking, and watch their eyes gloss over.

 

The power of this tool is that it removes, or at least reduces, subjectivity from the process. If your process/tool is supported by your leadership team, every funding opportunity makes it to either YES or NO… no matter how passionate (or high ranking) the lead staff is. It’s that simple.

 

Now, you still may end up with multiple projects which align with a funding opportunity. This becomes the responsibility of your leadership or finance team to determine which project has the highest priority.

 

Interested in a PDF version? Reach out to our team! Megan@dhleonardconsulting.com

The post Grant Decision Making. How do you choose which grants to chase? appeared first on DH Leonard Consulting & Grant Writing Services.

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The Royal Flush

Watching Princess Kate attend the “trooping of the colors” was wonderful in that I was hoping she was indeed recovering from her cancer, though the type is still being withheld.

But in another sense, I was thinking of the colorful old royal carriages, King Charles and Prince William decked out in ancient military-type coats with ribbons and medals and all kinds of symbolic doodads. I was watching the assorted hangers-on, and the 400 horsemen or whatever, and all the troops and the bands. While this might be a tourist attraction if replicated in Disneyland with actors, what on earth is the cost to the UK?

The royal family is obscenely wealthy with cash, lands, and jewels (some of which was simply taken from others during the heights of empire).* I was fascinated by a line in the show “The Crown,” apparently accurate, where the aging royal yacht needs $40 million to keep it seaworthy. The prime minister tells the queen that the government can’t afford it and won’t do it.

Queen Elizabeth replies, in stark astonishment, “You expect us to pay for it????!!!”

What does all this anachronistic splendor produce? Please don’t tell me tourist dollars. What does it say when you have all these accidents of birth parading around, attending functions, being curtsied and bowed to, and attracting all this attention and expense? Certainly, the behavior of everyone since Edward VIII and his abdication to marry an American divorcé has been questionable, right through Prince Harry and Meghan Markle’s tens of millions of dollars in media deals that produce nothing, and his whining that he deserves police protection when visiting London. (Never mind his completely overlooking his privileged life in his tantrum of a book, Spare.) And then there was Charles and Diana and Camilla.

In America we love to watch the ceremonies, the coronations, the trappings of absurd, accidental privilege. That’s why soap operas are so popular here.

I do hope that Kate is recovering. She’s a rare touch of class over there.

*(According to Forbes, the worth of the British royal family is $18 billion. There are 160 counties in the world with a smaller GDP than that.)

​ 

The Royal Flush

Watching Princess Kate attend the “trooping of the colors” was wonderful in that I was hoping she was indeed recovering from her cancer, though the type is still being withheld.

But in another sense, I was thinking of the colorful old royal carriages, King Charles and Prince William decked out in ancient military-type coats with ribbons and medals and all kinds of symbolic doodads. I was watching the assorted hangers-on, and the 400 horsemen or whatever, and all the troops and the bands. While this might be a tourist attraction if replicated in Disneyland with actors, what on earth is the cost to the UK?

The royal family is obscenely wealthy with cash, lands, and jewels (some of which was simply taken from others during the heights of empire).* I was fascinated by a line in the show “The Crown,” apparently accurate, where the aging royal yacht needs $40 million to keep it seaworthy. The prime minister tells the queen that the government can’t afford it and won’t do it.

Queen Elizabeth replies, in stark astonishment, “You expect us to pay for it????!!!”

What does all this anachronistic splendor produce? Please don’t tell me tourist dollars. What does it say when you have all these accidents of birth parading around, attending functions, being curtsied and bowed to, and attracting all this attention and expense? Certainly, the behavior of everyone since Edward VIII and his abdication to marry an American divorcé has been questionable, right through Prince Harry and Meghan Markle’s tens of millions of dollars in media deals that produce nothing, and his whining that he deserves police protection when visiting London. (Never mind his completely overlooking his privileged life in his tantrum of a book, Spare.) And then there was Charles and Diana and Camilla.

In America we love to watch the ceremonies, the coronations, the trappings of absurd, accidental privilege. That’s why soap operas are so popular here.

I do hope that Kate is recovering. She’s a rare touch of class over there.

*(According to Forbes, the worth of the British royal family is $18 billion. There are 160 counties in the world with a smaller GDP than that.)

​ 

The Royal Flush

Watching Princess Kate attend the “trooping of the colors” was wonderful in that I was hoping she was indeed recovering from her cancer, though the type is still being withheld.

But in another sense, I was thinking of the colorful old royal carriages, King Charles and Prince William decked out in ancient military-type coats with ribbons and medals and all kinds of symbolic doodads. I was watching the assorted hangers-on, and the 400 horsemen or whatever, and all the troops and the bands. While this might be a tourist attraction if replicated in Disneyland with actors, what on earth is the cost to the UK?

The royal family is obscenely wealthy with cash, lands, and jewels (some of which was simply taken from others during the heights of empire).* I was fascinated by a line in the show “The Crown,” apparently accurate, where the aging royal yacht needs $40 million to keep it seaworthy. The prime minister tells the queen that the government can’t afford it and won’t do it.

Queen Elizabeth replies, in stark astonishment, “You expect us to pay for it????!!!”

What does all this anachronistic splendor produce? Please don’t tell me tourist dollars. What does it say when you have all these accidents of birth parading around, attending functions, being curtsied and bowed to, and attracting all this attention and expense? Certainly, the behavior of everyone since Edward VIII and his abdication to marry an American divorcé has been questionable, right through Prince Harry and Meghan Markle’s tens of millions of dollars in media deals that produce nothing, and his whining that he deserves police protection when visiting London. (Never mind his completely overlooking his privileged life in his tantrum of a book, Spare.) And then there was Charles and Diana and Camilla.

In America we love to watch the ceremonies, the coronations, the trappings of absurd, accidental privilege. That’s why soap operas are so popular here.

I do hope that Kate is recovering. She’s a rare touch of class over there.

*(According to Forbes, the worth of the British royal family is $18 billion. There are 160 counties in the world with a smaller GDP than that.)

​ 

The Royal Flush

Watching Princess Kate attend the “trooping of the colors” was wonderful in that I was hoping she was indeed recovering from her cancer, though the type is still being withheld.

But in another sense, I was thinking of the colorful old royal carriages, King Charles and Prince William decked out in ancient military-type coats with ribbons and medals and all kinds of symbolic doodads. I was watching the assorted hangers-on, and the 400 horsemen or whatever, and all the troops and the bands. While this might be a tourist attraction if replicated in Disneyland with actors, what on earth is the cost to the UK?

The royal family is obscenely wealthy with cash, lands, and jewels (some of which was simply taken from others during the heights of empire).* I was fascinated by a line in the show “The Crown,” apparently accurate, where the aging royal yacht needs $40 million to keep it seaworthy. The prime minister tells the queen that the government can’t afford it and won’t do it.

Queen Elizabeth replies, in stark astonishment, “You expect us to pay for it????!!!”

What does all this anachronistic splendor produce? Please don’t tell me tourist dollars. What does it say when you have all these accidents of birth parading around, attending functions, being curtsied and bowed to, and attracting all this attention and expense? Certainly, the behavior of everyone since Edward VIII and his abdication to marry an American divorcé has been questionable, right through Prince Harry and Meghan Markle’s tens of millions of dollars in media deals that produce nothing, and his whining that he deserves police protection when visiting London. (Never mind his completely overlooking his privileged life in his tantrum of a book, Spare.) And then there was Charles and Diana and Camilla.

In America we love to watch the ceremonies, the coronations, the trappings of absurd, accidental privilege. That’s why soap operas are so popular here.

I do hope that Kate is recovering. She’s a rare touch of class over there.

*(According to Forbes, the worth of the British royal family is $18 billion. There are 160 counties in the world with a smaller GDP than that.)

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